In the Ballroom 'Swing' dances (Waltz, Foxtrot, Quickstep, Viennese Waltz), the follower’s movement on Beat 1 is governed by both musical cues and biomechanical constraints. Here's a clearly defined timing model that explains when, why, and how followers move — and how long they have to do it.
Phase | Duration (ms) | Description |
---|---|---|
Pre-lowering | -200 to -50 | Calm stillness; follower is poised and waiting. |
Lowering Cue | -50 to 0 | Leader lowers center slightly — this is a ‘get ready’ signal. |
Early Prep | overlaps -50 to 0 | Follower may begin retracting the RF, prepping subconsciously. |
Decision Window | 0 to ~300 | Follower commits to where the RF will go. Pizza slice is locked. |
Step Execution | 300 to 667 | RF travels. COG begins transitioning. No turning back! |
For any given beat of music, the following actions may occur:
These actions are informed by preparation, perception, and reaction timing.
Let:
Ta = Tb - (Ts + Te + Tp)
Tempo: 30 MPM (Measures per Minute)
Time Signature: 3/4
→ Tb = 667ms per beat
Let’s assume:
Then:
Ta = 667 - (150 + 100 + 50) = 367 ms
The follower has ~367ms of usable time to execute their movement.
If the follower travels at 1 meter/second, then:
d = v × t = 1.0 × 0.367 = 0.367 meters
So a typical follower could step just over one foot’s length in that time.
Let:
Then:
\(KE = \frac{1}{2} m v² = 0.5 × 70 × (1.76)² ≈ 108.6 Joules\)
This energy:
As the follower travels they have increasing options as to where to place their moving foot. This is shown in the diagram below where Follower is moving backwards (from their perspective) and their moving foot has increase options as to where it can be placed.
Most dance instruction focuses on what to do — not why it works.
This model:
“Here’s the physics and math. Prove it wrong.”
— A Confident Ian, DanceBot (and probably HAL too)